La Alhambra, Granada, 800s Mudéjar architecture in Zaragoza, 1300s
Ragaeh Omaar speaks
about the era of “Convivencia”, as the
period of religious tolerance that existed between Christian, Jewish and Muslim
scholars who worked together in schools of translation, as well as the exchange
in art and culture that took place between peoples of these three faiths during
the 8th to the 14th centuries in the Iberian Peninsula.
He also speaks of how advanced Córdoba, the
capital of the Umayyad Al-Andalus, was in comparison to other cities in Northern
Europe during the Middle Ages. The streetlights, running water, paved streets,
baths and libraries attracted many scholars and artists to Córdoba. One such
scholar who lived in Córdoba during the 10th century was the Muslim
physician, Albucasis, who developed many surgical tools that are used to this
day.
I found the Islamic architecture of La Alhambra,
constructed during the late 800’s in Granada, very interesting, especially the
symmetry of the central courtyard as well as the repetitive and intricate
geometric patterns in the motifs of the tiles that decorated the walls there.
It is this style of architecture that has influenced
Christian Romanesque, Gothic and Renaissance styles up until the 16th
century throughout the Iberian Peninsula as far north as the province of Aragón.
An example of this “Mudéjar”
architecture is the Church of Santa María de Tobed in Zaragoza, which was
constructed in the late 1300’s. The intricately decorated brick panels of its
outer walls form motifs that are similar to those seen in the Alhambra that was
constructed several centuries beforehand. Well after the Reconquista was completed in 1492, this Mudéjar architecture left an
imprint throughout Christian Spain of the Convivencia
that had existed between Christian and Muslim tradespeople and artists for many centuries.
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